Issue 21 : Fall 2011

FRONT PAGE

• In this Issue

CINEMA

• Sci-Fi Dystopia Theater:
  Chosen Survivors
  — Christian Divine

HISTORY

• Eclectronic Trajectories:
  The Experimental Television Center
  — Carl Diehl

• Uncovering the Enigmatic Harry Partch
  — Jon Roy

• Ten Years That Shook the City: San Francisco 1968-1978
  — Chris Carlsson

NEW MEDIA

• The New Flesh
  — Peggy Nelson

• Why is the 'No Video' Signal Blue?
  — Andrew Wilson

COMMENTARY

• McLuhan's City As Classroom Flips Into All-At-Onceness As Classroom
  — Gerry Fialka

CRITICISM

• Perceptions of the Infinite:
  Moving into Dream Spaces of Reality with Kathy Acker
  — Tamara Browne

BOOK REVIEWS

• Good Bad Investigatrix of Your Techsploitative Monsters
  — Mike Mosher

• Rebooting the S.I:
  Wark's The Beach Beneath the Street
  — David Cox

• Review: Artists Re:thinking Games
  — David Cox

• Urban Hacking:
  Culture Jamming in the Risky Spaces of Modernity
  Book Review
  — Molly Hankwitz

Otherzine issues

• September 2013: Call for Entries
• Spring 2013
• Fall 2012
• Spring 2012
• Fall 2011
• Spring 2011
• Fall 2010
• Spring 2010
• Fall 2009
• Spring 2009
• Fall 2008
• Spring 2008
• Fall 2007
• Spring 2007
• Fall 2006
• Spring 2006
• Fall 2005
• Spring 2005
• Fall 2004
• Fall 2003
• Fall 2002
• Spring 2002
• Fall 2001
• Spring 2001
• Fall 2000

Top of page

In this Issue

24 Sep 2011

['Situation City']

by David Cox + Molly Hankwitz, background: A. Osipenko
You may download 'how to make a pair of 3D glasses' here.

Editor's Note

OTHERZINE 21's content hovers between at least two poles of eclectic artistic endeavor. On the one hand, writings from the cinematic end, and on the other, expressions of the city as can only be found in history, or in spaces of human imagination. Thank you to the many contributors who have made their work, or new work, available. We are much indebted and delighted to have all of it. Molly Hankwitz, SF 2011

OTHERZINE 21 is dedicated to the memory of George Kuchar, friend, teacher, humorist, and wonderful celebrated filmmaker, who passed away earlier this month. The scene goes on, George, but we shall miss you.