||OUT NOW: FALL 2014 ISSUE OF OtherZine|
|Welcome to our website for our ongoing series of experimental cinema in San Francisco. We show films every Saturday at ATA Gallery, 992 Valencia (@ 21st). Showtime 8:30pm, admission* $6.|
|AVANT TO LIVE|
|SAT. 12/20: NEW EXPERIMENTAL WORKS
Here’s an energized evening of new cinema that champions personal expression and radical form, with many of the makers in person! Josh Harper offers up his tour de force Tabulimancy, John Davis unleashes Demolished Every Second, Robert Edmondson debuts Grand Design, and Linda Scobie unveils her own new piece. They are all part of a generous group-show, also boasting Vanessa Renwick’s Layover, Ben Rivers’ A World Rattled by Habit, Katherin McInnis’ Artificial Persons, Peter Lichter’s Look Inside the Ghost Machine, Bill Domonkos’ The Ambient Medium, Frederic Moffet’s Post-Face, Linda Fenstermaker’s A Day’s Plead, Kelly Gallagher’s I Am the Mace, and Andre Perkowski’s astonishing montage/homage to the WS Burroughs Centenary, Nova Express. $7.
Welcome to Issue 27: FRAME LINES! Our wonderful contributors have again formed a remarkably cohesive issue that sits at the intersection of radically different trajectories, histories, and purposes. The frame line, an often-unused portion of motion picture film separating two adjacent images, emerged as a convergent metaphor, characterizing the purpose, stakes, or even the subject of each article. We hope that Issue 27 will open a space to renegotiate frame lines, be they historical, political, dialectical, or literal! We specifically encourage use of our Comments section to continue navigating and exploding the diverse frameworks and their interstices.
Beginning our Frame Lines collection, Clint Enns poses a series of frank and worthy questions for every film and video programmer, while Michael Betancourt offers a refreshing reconsideration of medium specificity in critical contexts. Carla Leshne follows this up with a case study in the history of the fine line between film and labor by detailing the nearly forgotten histories of Lester Balog's films and screenings with the Film and Photo League.
Interviewing, we have Tara Nelson querying the themes and times of NorCal born and educated animator, Victor Faccinto, while Martin Rumsby discursively inquires experimental filmmakers across the net on East Coast/West Coast aesthetics, phantoms, and much more.
Veteran contributors David Cox and Mike Mosher offer reverent analyses of key media-makers through different media: respectively, an in-depth look at Harun Farocki's (who sadly passed this year) theories and praxis through his film, Images of the World: Inscriptions of War, and the recently published George Kuchar: Interviews and Conversations.
Finally, OtherZine is proud to host three Artist Projects, each made within/about the Bay Area! Nik Nerburn hacks away at the colonial history of Paul Bunyan in his 'zine, In the Shadow of Paul Bunyan. Collin McKelvey offers a full-length audio recording of his live sound performance at the final iteration of John Davis'/Kala Art Institute's Gravity Spells, a live a/v performance series, made in collaboration with Oakland-based filmmaker, Tooth. Last, but far from least, Dana Smith truly brings us home with her Mission Miracle Mile Trilogy, an experimental photo-book documenting the Mission District in all its splendor and glory!