WILD GUNMAN

Mobilizing wildly diverse found-footage fragments, obsessive optical printing, and a dense "musique concrete" soundtrack, a maniac montage of pop-cultural amusements, cowboy iconography, and advertising imagery is re-contextualized within the contemporary geopolitical crisis in a scathing critique of U.S. cultural and political imperialism. Called the first "machinima".

(1978), 16mm, color/sound, 19 mins.