Issue 24 : Spring 2013

MASTHEAD

• OtherZine Issue 24, 2013.

FRONT PAGE

• From the Editor: OtherZine 24
  — Christine Metropoulos

MEDIA ARCHAEOLOGY

• Meet The New Flesh, Same As The Old Flesh
  — Peggy Nelson

SOUNDING GLASS

• Down Is A Force To / From Any Direction:
  Reflections on the work of Sylvia Schedelbauer
  — Carl Elsaesser

NEW MEDIA

• Playfields, Mind Maps & Atemporality
  — David Cox

• Screen Directions:
  Loose Observations on Art, Culture, and Electronic Media
  — Molly Hankwitz

OUTSIDE THE BOX

• Selections from Mostly True
  — Bill Daniel

DIALOGUE

• Dictated by the Whims of the Heavens:
  An Interview with Simon Strong
  — David Cox

CINEMA

• Nothing and Stay Out
  — Gerry Fialka

• The Ten List: 25 Years of American Experimental Cinema (1953–1978)
  — Caroline Koebel

• Mermaids, Nazis, and Famous Monsters:
  Cary Loren's '70s Super-8mm Michigan
  — Mike Mosher

ARTIST PROJECTS

• ONE UNIVERSE, ONE GOD, ONE NATION:
  When fragments of thoughts come together
  — Yin-Ju Chen

• Taiwan WMD
  — James T. Hong

Otherzine issues

• September 2013: Call for Entries
• Spring 2013
• Fall 2012
• Spring 2012
• Fall 2011
• Spring 2011
• Fall 2010
• Spring 2010
• Fall 2009
• Spring 2009
• Fall 2008
• Spring 2008
• Fall 2007
• Spring 2007
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• Spring 2006
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• Spring 2001
• Fall 2000

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Taiwan WMD

by James T. Hong

10 Feb 2013

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James T. Hong is a filmmaker and artist whose works tend to focus on philosophical topics and figures, controversial race and class issues, and historical conflicts in Asia. His films and videos include BEHOLD THE ASIAN: HOW ONE BECOMES WHAT ONE IS, CONDOR: A FILM FROM CALIFORNIA, SUPREMATIST KAPITAL, and THE DENAZIFICATION OF MH, about Martin Heidegger. Hong produced the award-winning documentary 731: TWO VERSIONS OF HELL, about Japan’s Unit 731 in 2007, which was followed by LESSONS OF THE BLOOD in 2010. His 2012 film THE TURNER FILM DIARIES is based on the infamous, racist American novel, The Turner Diaries.

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Taipei Biennial 2012: The Museum of the Monster That Is History